Inclusive, Interactive, and Accessible: The REACH, New Kennedy Center Expansion in D.C., Opens with Free 16-Day Festival from September 7 through September 22

(WASHINGTON, D.C., MAY 29, 2019) – This fall, artists and audiences from the Washington, D.C. area, the U.S., and around the globe come together at the nation’s cultural capital to dance, sing, create, collaborate, listen, learn, talk, share, and celebrate the opening of the REACH, the John F. Kennedy Center for the Performing Arts’s unprecedented new expansion. At a preview event today, May 29, which marks both President Kennedy’s 102nd birthday and 100 days until the historic opening, the Kennedy Center unveiled preliminary details of the free 16-day REACH Opening Festival on September 7–22.

Built for active participation and access, the REACH brings visitors directly into the creative process. From masterclasses and workshops to dance parties and DJ sets, the Opening Festival offers a first glimpse of the many varied and interactive ways that visitors will be able to experience art at the REACH. With more than 400 free events planned, the multi-genre, multidisciplinary festival features participatory performances, interactive installations, hands-on learning activities, and more, with local and national headliners including Arrested Development, The Second City, Thievery Corporation, Yalitza Aparicio, Bootsy Collins, Renée Fleming, Robert Glasper, Angélique Kidjo, Alan Menken, Tiler Peck, Mo Willems, and numerous others. Many of the artists taking part will connect with audiences not only through performance but also through specially designed residencies and experiential workshops that honor the creative spirit in us all.

Kennedy Center President Deborah F. Rutter explains:

“The REACH’s unique design will inspire a wide population to share and own their arts experiences. Building on the Kennedy Center’s rich ongoing programming portfolio to reflect the art of our entire nation, the Opening Festival celebrates all art forms and encourages participation, immersion, learning, and discovery.”

All free and open to the public, the Opening Festival events take place throughout the REACH campus, which features three soaring, contiguous pavilions housing ten defined interior spaces and more than 130,000 square feet of lush, landscaped green space. The entire campus is highly flexible, with indoor and outdoor spaces built to accommodate performances, events, film screenings, workshops, art classes, and studio rehearsals.

At once a public incubator, a hands-on learning lab, and a set of dynamic, light-filled collaborative spaces, the REACH was designed by architect Steven Holl to support the Kennedy Center’s evolving needs as the nation’s vibrant cultural center. Drawing exclusively on private philanthropy to finance the project’s design, construction, and activation, the Center launched the $250 million Building the Future capital campaign. Set in motion by Kennedy Center Chairman David M. Rubenstein’s $50 million cornerstone gift in 2013, which inspired hundreds of other major donors around the country to participate, this has successfully raised more than $224 million to date. Today marks the launch of the campaign’s Community phase, with a two-to-one matching offer for donors of $250 or more. View the full REACH space guide here, see full Opening Festival highlights here, and click here to receive additional programming updates on June 21 and throughout the summer.

Opening Day highlights

A glorious microcosm of the Opening Festival, the Opening Day illustrates the rich breadth of experience that the REACH’s versatile, informal spaces are designed to foster. To inaugurate the event, artists and audiences will participate in a campus-wide Opening Procession, and the National Symphony Orchestra will give an open-air performance of Beethoven’s monumental Ninth Symphony conducted by Thomas Wilkins, featuring four vocal soloists drawn from the Washington National Opera’s acclaimed Domingo-Cafritz Young Artist Program, as coached by superstar soprano and Kennedy Center Artistic Advisor Renée Fleming. Stanley J. Thurston will lead the 300-voice D.C. community-based chorus, anchored by the Heritage Signature Chorale, in a performance that promises to draw the crowd together in an uplifting celebration of music, freedom, and solidarity.

The day’s eclectic offerings include a headlining appearance by Rock & Roll Hall of Famer Bootsy Collins, legendary bassist for James Brown and Parliament-Funkadelic, who joins The Chuck Brown Band for a joyful celebration of Go-Go, the homegrown funk variety dubbed “the heartbeat of D.C.” (Washington Post). Underground Comedy, a local comedy promoter, will present a Stand Up Showcase featuring some of D.C.’s best comedians and up-and-coming talent, and New York City Ballet principal Tiler Peck will lead an advanced masterclass. Skylight Soundscapes, a specially commissioned installation by Kennedy Center Composer-in-Residence Mason Bates, will use projections and sounds, ranging from Renaissance choral to German techno, to create an immersive, chill-out lounge space, and from the comfort of the fully equipped Virtual Reality Lounge visitors can put on an Oculus headset and step into new worlds beyond their imagination. Like Skylight Soundscapes, the VR Lounge will remain open throughout the festival.

Shining a light on the REACH as a focal point for long-term community engagement, Opening Day also calls attention to some of the dedicated artists who work directly with teachers and students in schools across the nation through the Kennedy Center’s Turnaround Arts program. Among the day’s performers are roots singer-songwriter Valerie June and hip-hop trailblazer Speech, appearing with his Grammy-winning group, Arrested Development. Modeling the creative process live in real time, performance poet Jacqueline Suskin will write customized one-minute poems to prompts from members of the public.

Led by spoken word artist, theater maker, and activist Marc Bamuthi Joseph, the Kennedy Center’s Vice President and Artistic Director of Social Impact, six newly created Social Practice Residencies will support local artists in their work with the transgender, deaf, Latinx youth, African-American ecumenical, female refugee, and First Nations communities. These six leaders (soon to be announced) will curate and host a series of interactive events at the festival, highlighting six-month in-house and extramural residencies to empower their marginalized communities through empathy, inquiry, and creative expression.

Opportunities to participate: highlights of the 16-day festival

Underscoring the REACH’s commitment to bringing visitors into the creative process, in addition to a full and starry performance program (see highlights outlined below), the Opening Festival offers a wide selection of open classes, workshops, and other interactive experiences. Young musical theater aficionados can register for acting, singing, and dancing masterclasses with New York’s celebrated The Broadway Collective, while hip-hop lovers can take DJing and breakdancing workshops with transformative local nonprofit Words, Beats & Life. Sidebarre DC leads “jazz barre” fitness classes to the accompaniment of a live jazz trio and, in collaboration with the Kennedy Center’s Sound Health program, Daybreaker presents early-morning yoga followed by a dance party to jump-start the day. Public dance classes – in styles ranging from breakdancing to traditional Chinese – include a session for those with Parkinson’s disease and a tap class with the Emmy-nominated Syncopated Ladies. To celebrate National Dance Day, now held on September 21, festival-goers will have the chance to learn this year’s official nationwide National Dance Day routine and take part in a locally inspired line dance.

Three filmmakers – documentarian Steve James (Hoop Dreams), experimental animator Jodie Mack (The Grand Bizarre), and Charles Burnett (To Sleep with Anger), known for his realistic and intimate portrayals of African American families – will be in residence to host workshops accompanying screenings of their films. In addition to performing centerstage with a tip to the legacy of Alice Coltrane, genre-bending harpist Brandee Younger will host a workshop, and amateur musicians will also have the opportunity to play alongside members of the National Symphony Orchestra. Aspiring comics can try their hand at Joke-E-Oke, a game blending karaoke with stand-up, or take improv workshops with famed Chicago troupe The Second City. At specially outfitted tables in the REACH’s dedicated learning lab, patrons of all ages can learn to draw like author and illustrator Mo Willems, the Kennedy Center’s inaugural Education Artist-in-Residence, besides using a downloadable app to embark on an interactive adventure led by one of his most popular characters. In an interactive artwork program devised by Australia’s Terrapin Puppet Theatre, strangers of all ages can create Infinite Monsters, each sketching one section of an imaginary creature before coming together to see the whimsical results.

Opportunities to watch artists at work: highlights

The REACH features informal, flexible spaces where artists can teach, rehearse, and develop new pieces, behind an array of glass walls and viewing balconies where visitors can watch them at work. The Opening Festival offers a wealth of such opportunities. During a two-week performance residency, four-time Grammy-winning pianist and producer Robert Glasper, whose career straddles jazz, hip-hop, and R&B, showcases three of his genre-bending projects; he appears with his tribute ensemble celebrating Miles Davis’s Everything’s Beautiful and with his venerated Robert Glasper Trio, as well as giving a live account of his award-winning conceptual work Black Radio. Other highlights include a trio of musical masterclasses presented by the National Symphony Orchestra: on how to listen, by pianist and Kennedy Center Artistic Advisor for Chamber Music Joseph Kalichstein; on musical arrangement, by NSO Principal Pops Conductor Steven Reineke; and on songwriting, by Oscar, Tony and Grammy laureate Alan Menken, whose hit scores range from Broadway’s Little Shop of Horrors to Disney’s Aladdin and Beauty and the Beast. Visitors can preview a new short opera from an up-and-coming composer-librettist team commissioned by Washington National Opera’s American Opera Initiative, and catch a sneak peek of a new Kennedy Center co-commission, when Grammy-winning singer, songwriter, and bassist Esperanza Spalding and Kennedy Center honoree Wayne Shorter workshop their new jazz opera, Iphigenia, which is scheduled to premiere at the Center next year.

Opportunities to listen, learn, and talk: highlights

To promote deeper understanding and discovery of the festival’s many offerings, the REACH plays host to a number of talks, discussions, and lectures. In the Kennedy Center’s Sound Health program, which explores connections between wellness and the arts, Renée Fleming curates discussions and workshops in collaboration with the American Music Therapy Association and neurosurgeon and musician Dr. Charles Limb. The National Symphony Orchestra presents a series of TED-style Classical Talks; dance luminaries Tiler Peck and Debbie Allen take part in panel discussions; Baltimore club sensation TT The Artist discusses her film project Dark City Beneath the Beat; a hip-hop culture series addresses such topics as “Women in Hip-Hop”; and Helen Hayes Award-winning D.C. playwrights Aaron Posner and Karen Zacarias lead a conversation about community and the creative process.

The Moonshot Studio, an innovative hands-on learning lab, is one of the many informal workspaces where the REACH enables artmakers of all ages and levels of experience to roll up their sleeves and investigate, discover, linger and learn. Expanding the Kennedy Center’s ongoing programs for schools, the festival features a wide range of hands-on engagement activities, workshops, and other learning opportunities to introduce students and teachers from D.C.-area schools to the new campus and its possibilities. Among the many offerings, kindergarten through second-grade classes will explore literature through the performing arts; third-, fourth-, and fifth-graders will celebrate African culture; middle-schoolers will investigate Hispanic heritage; and high-schoolers will study creative youth development and citizen artistry and take comedy workshops with The Second City. Teachers can also attend a professional development open house to kick off the new school year.

Celebrating our indigenous heritage: highlights

The Kennedy Center is committed to deepening its engagement with First Nations people, for which the flexible, accessible spaces of the REACH provide the perfect platform. The Opening Festival gathers together representatives of numerous local, national, and international tribes, for art, discussion, and invaluable social interaction. Among the musical performers are neo-folk singer-songwriter Thea Hopkins (Aquinnah Wampanoag), a 2019 Indigenous Music Award-nominee; Grammy-nominated cellist and vocalist Dawn Avery (Mohawk); Canada’s A Tribe Called Red (Mohawk/Cayuga) with the local Uptown Boyz (Piscataway); and Hawaii’s famed Keali’i Reichel. Other highlights include hoop dancing from award-winning interdisciplinary artist Ty Defoe (Giizhiig/Ojibwe/Oneida), storytelling from Rose Powhatan (Pamunkey/Tauxenent), and a performance-installation by Antipodean choreographer, dancer, and artist Amrita Hepi (Bundjulung/Ngapuhi). Three panel discussions feature a “Conversation with Contemporary Artists” with potter and fashion designer Virgil Ortiz (Cochiti/Pueblo), filmmaker Steven Paul Judd (Choctaw/Kiowa), and pop artist Frank Buffalo Hyde (Onondaga/Nez Perce), led by Yalitza Aparicio (Mixtec/Triqui), the Mexican actress who made her debut in Roma (2018), becoming the first indigenous American woman to be nominated for a “Best Actress” Academy Award.

Music, drama, dance, and film: performance highlights

The Opening Festival performance lineup ranges from intimate studio experiences to open-air dance parties, DJ sets, film screenings, and mainstage spectaculars. In “Broadway under the Stars at the REACH,” Alan Menken presides over an al fresco evening of his music performed by the National Symphony Orchestra, selected Broadway stars, and Steven Reineke. Renée Fleming shares a program with three-time Grammy-winning Beninese singer-songwriter Angélique Kidjo. Three-time Emmy-winning Fame star and So You Think You Can Dance judge Debbie Allen hosts National Dance Day, a twelve-hour non-stop extravaganza capped by an evening performance of Fela! The Concert, an exuberant music and dance party inspired by the Broadway show about Nigerian Afrobeat master Fela Kuti, starring cast members from the original Tony-winning production.

Music by the free-jazz pioneer posthumously canonized by the African Orthodox Church is the vehicle for worship at “The Church of John Coltrane,” an interactive church service. MacArthur Award-winning pianist and Kennedy Center Artistic Director for Jazz Jason Moran performs with his group The Bandwagon, and West Philadelphia poet and playwright Dave Harris attends a reading of Everybody Black, his award-winning 2019 play satirizing approaches to black history. The Second City presents celebrity alumni in a variety of sketches and improv jams, and 30 Rock’s Judah Friedlander and Last Comic Standing finalist Rachel Feinstein take part in a District of Comedy Showcase. Interdisciplinary Pittsburgh ensemble Squonk Opera performs Hand to Hand, a family-friendly production combining live music with original storytelling and a pair of gargantuan puppet hands. Thievery Corporation, the D.C.-based production duo whose trademark sound blends downtempo trip-hop with bossa nova and dub, anchors the festival’s live electronic programming, which includes a tribute to revolutionary proto-rapper Gil Scott-Heron. In a block party curated by Q-Tip, the Kennedy Center’s Artistic Director of Hip Hop Culture, New York rapper Pharoahe Monch debuts his new trio project, Thirteen (featuring Monch, Marcus Machado, and Daru Jones), and MTV Award-winning DJ J.Period joins some of hip-hop’s most celebrated emcees to create and record a new mixtape live on stage.

With both an intimate indoor screening room and a giant 42’ by 24’ outdoor video wall, film takes center stage. On selected festival evenings, the REACH’s lawns and groves will come alive with films including family favorite The Muppet Movie (1979), in a 40th-anniversary screening; Amazing Grace (2018), winner of this year’s NAACP Image Award, which documents the recording of Aretha Franklin’s live 1972 gospel album; Slow Dancing (2007), a series of larger-than-life, hyper-slow-motion video portraits of dancers and choreographers around the world by renowned photographer David Michalek; and Washington National Opera’s production of Show Boat (2013), in a special recreation of the beloved “Opera in the Outfield” series. Inside the Justice Forum, audiences can view a three-part documentary series tracing the career of President John F. Kennedy, to whom the Kennedy Center stands as a living memorial; George Nierenberg’s No Maps on My Taps (1979), with tap-dance masters Bunny Briggs, Chuck Green, and “Sandman” Sims; Once in a Hundred Years (2019), which examines the life and legacy of African American soprano Marian Anderson; A Towering Task (2019), a new documentary about the Peace Corps; and, during the festival’s Hip-Hop Block Party, a selection of movies including Shaolin Jazz’s Can I Kick It?, in which a cult martial arts film will be accompanied by a live DJ score.

The festival draws to a euphoric close with DC Lovers Rock, a West Indian-style sunset dance party. With DJs competing for the crowd in an authentic Jamaican Sound Clash, and performances headed by Bob Marley collaborator Junior Marvin, queer Cuban hip-hop duo Las Krudas, and dancehall legend Sister Nancy, DC Lovers Rock unites festival audiences in a shared celebration of love and community.

Sculpture and installation: highlights

A variety of sculptures and installations will adorn the indoor and outdoor spaces of the REACH. A dramatic new installation by D.C.-based artist Sam Gilliam will greet visitors inside one of the new pavilions, while out in the landscaped gardens, Joel Shapiro’s playful 24-foot aluminum piece Untitled (2019) will be on semi-permanent display, Roy Lichtenstein’s sculpture Brushstroke will be on loan from the Hirshhorn Museum and Sculpture Garden, and Milk River, a new bronze horse by Deborah Butterfield, will be on permanent display, being generously donated by art collector Sam Rose. There will also be long-term installations by two alumni of the Kennedy Center’s Citizen Artist Fellowship Program, which honors emerging and established U.S. artists whose work positively impacts their community. Ekene Ijeoma’s Heartfelt, a heart-shaped sculpture that lights up when in contact with people, celebrates human connection, while Michelle Angela Ortiz’s The Courage Within Me, a spinning stabile created with local students, explores what it means to be brave.

All REACH Opening Festival events are free, and reservations for timed passes will be required for entry. Reservations will open in August at www.kennedy-center.org/The REACH. To join the Opening Festival mailing list for programming updates and reservation information, click here. For high-resolution photos, click here.

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The REACH at the Kennedy Center: Opening Festival
Highlights listed alphabetically by genre

Broadway:
Alan Menken (masterclass)
with Broadway stars, National Symphony Orchestra (performance)
Broadway Collective (masterclasses)
Washington National Opera Show Boat (film) 

Classical:
Washington National Opera’s American Opera Initiative (workshop)
District5 (performance)
DC Strings Orchestra (performance)
Renée Fleming (performance; coaching)
Joseph Kalichstein (workshop)
National Symphony Orchestra (performances; workshops)
Steven Reineke, NSO (workshop)

Comedy:
Joke-E-Oke (interactive game)
The Second City (performance; workshop; The Second City’s Guide to Jazz with Jason Moran)
Underground Comedy Stand Up Showcase
District of Comedy Showcase, with D.C. comedians Judah Friedlander, Rachel Feinstein, and others (performance)
Yeah But Still with Brandon Wardell; Say What?! with host Reese Waters; and Off Book: The Improvised Musical Podcast with Jessica McKenna, Zach Reino, and special guest (podcasts) 

Contemporary:
Arrested Development (performance)
The Chuck Brown Band with Bootsy Collins (performance)
Robert Glasper (residency, workshops, performances)
Robert Glasper Trio/Everything is Beautiful Miles Davis project/Black Radio
Valerie June (performance)
Angélique Kidjo (performance) 

Dance:
Debbie Allen (host, discussion)
& Debbie Allen Dance Academy (performance)
Broadway Collective (masterclasses)
Ty Defoe (performance)
Sarah Beth Oppenheim (dance participation)
Tiler Peck (workshop, discussion)
Sidebarre DC (dance class)
Lisa Traiger (performance/lecture)

Electronica/DJ Culture:
ELIN
Eric Hilton (from Thievery Corporation; curating)
Night Glitter (performance)
Congo Sanchez (performance)
The Archives (performance)
Thievery Corporation (performance)
DJ Divine (sets, discussion)
Baltimore Boom Bap Society (improv workshop)
TT The Artist (performance, discussion, film preview)
Champion Sound Band (performance) 

For all ages:
Mo Willems (workshop activities, app, and more)
Hand to Hand, Squonk Opera (performance, workshops)
Infinite Monsters, Terrapin Puppet Theatre (interactive, immersive game/installation)
The Muppet Movie 40th anniversary (film)

Film:
Amazing Grace
JFK film series
Marian Anderson documentary: Once in a Hundred Years
Charles Burnett (workshop)
Jodie Mack (workshop)
Steve James (workshop)
The Muppet Movie 40th anniversary
Washington National Opera Show Boat
TT The Artist: preview clips of Dark City Beneath the Beat with Q&A (preview)
Fresh Dressed/Shaolin Jazz with live DJ score/Dave Chappelle’s Block Party (hip-hop)
Lil Buck: Me and the Light (film)
Yalitza Aparicio (Roma actress) (panel discussion)

Hip-Hop:
Kokayi & Friends (performance)
Pharoahe Monch (performance)
J.Period (performance)
Fresh Dressed/Shaolin Jazz with live DJ score/Dave Chappelle’s Block Party (films)
DJ RBI (DJ set)
DJ Miss H.E.R. (DJ set)
Bobbito García aka Kool Bob Love (DJ set) 

Indigenous Artists:
A Tribe Called Red with Uptown Boyz (music performance)
Keali’i Reichel (Hula music and dance performance)
Ty Defoe (hoop dance performance)
David Williams (didgeridoo performance)
Rose Powhatan (storytelling)
Thea Hopkins & Dawn Avery with Larry Mitchell/Ty Dafoe (music and dance performance)
Amrita Hepi (installation/performance)
Yalitza Aparicio (Roma actress) (panel discussion) 

Installations:
Ekene Ijeoma
Michelle Angela Ortiz
Infinite Monsters, Terrapin Puppet Theatre (interactive, immersive game/installation) 

Jazz:
Brandee Younger (harpist/keyboardist; performance)
Jason Moran and Bandwagon (performance)
Flying Lotus (performance)
Church of John Coltrane (worship service)
Sidebarre DC (dance class)
Syncopated Ladies (performance, workshop)
Esperanza Spalding and Wayne Shorter (workshop, residency)    

Poetry:
Jacqueline Suskin (one-minute poems)

Sculpture and art:
Deborah Butterfield
Sam Gilliam
Roy Lichtenstein
Joel Shapiro

Sound Health (discussion):
Renée Fleming
Levine School of Music
American Music Therapy Association
Charles Limb 

Theater:
Dave Harris’s Everybody Black (reading/performance)
Alan Menken (masterclass),
with Broadway stars, NSO (performance)
Broadway Collective (masterclasses)
DC Playwrights Forum with Aaron Posner & Karen Zacarias (discussion)

Press contacts:
Glenn Petry, 21C Media Group: (212) 625-2038; [email protected]
Eileen Andrews, Kennedy Center: (202) 416-8448; [email protected]

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© 21C Media Group, May 2019