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Trinity Church Wall Street Presents “Total Embrace: Bernstein at 100,” Celebrates New Organ in St. Paul’s Chapel, and Completes Webern Festival This Winter/Spring

“Life without music is unthinkable. Life without music is academic. That is why my contact with music is a TOTAL EMBRACE.” – Leonard Bernstein

This spring, Trinity Church Wall Street’s “indispensable and unmissable” (New York Times) array of free, ambitious musical offerings, many of which are professionally filmed, streamed live and available on-demand, turns to a celebration of the centennial of iconic New York composer and conductor Leonard Bernstein. TOTAL EMBRACE: Leonard Bernstein at 100” will showcase a wide-ranging selection of Bernstein’s music, as well as that of related composer-conductors including Lukas Foss, Gustav Mahler, Pierre Boulez, Aaron Copland, and Trinity’s Director of Music, Julian Wachner, one of Lukas Foss’s protégés. The celebration launches during the April and May Concerts at One series in St. Paul’s Chapel, and concludes with a three-concert finale in Trinity Church (May 31-June 2). With a special emphasis on lesser-known and vocal compositions, the concerts will feature resident contemporary music orchestra NOVUS NY and a roster of North America’s leading instrumental and vocal soloists, all under Wachner’s direction. Pianist Lara Downes makes a guest appearance, performing the complete cycle of LB Anniversaries – works she has commissioned from living composers in tribute to Bernstein. In many of the concerts NOVUS NY will be joined by the Grammy-nominated Choir of Trinity Wall Street, with Trinity’s semi-professional choir Downtown Voices and the Trinity Youth Chorus also joining for the finale on June 2. 

Trinity’s Bernstein celebration puts a particular emphasis on the composer-conductor’s relationship to Gustav Mahler, featuring all of Mahler’s song cycles for voice and orchestra. The Bohemian giant was a predecessor of Bernstein as conductor of the New York Philharmonic, and Bernstein was in large part responsible for raising the profile of Mahler’s symphonies through his many performances and recordings, firmly establishing all of them in the standard repertoire of orchestras around the country. Other repertoire highlights include Bernstein’s orchestral song cycle for six singers, Songfest; Arias and Barcarolles in its orchestral version; Halil: Nocturne for solo flute; and Serenade after Plato’s Symposium for solo violin and orchestra. The three-concert finale emphasizes larger-scale works, including Mahler’s Symphony No. 4, the final symphony of the “Wunderhorn” series (May 31). On the same program is Wachner’s Gaudé: an LB Anniversary for Large Orchestra, a tribute to Bernstein and a nod to his own series of occasional pieces he called Anniversaries. The LB Anniversaries commissioned by pianist Lara Downes from a variety of composers engage with the same theme. Rounding out the May 31 program is Aaron Copland’s Connotations, commissioned by Bernstein for the opening of Lincoln Center; during Bernstein’s tenure with the New York Philharmonic, Copland’s works were programmed more than those of any other living composer. For the Saturday grand finale of TOTAL EMBRACE, The Choir of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices and NOVUS NY performing psalm settings by Bernstein, Lukas Foss, and Wachner.

Folded into the programming for the TOTAL EMBRACE series is the culmination of Trinity’s multi-season MASS REIMAGININGS commissioning project. With a particular emphasis on outstanding female composers, characteristic of much of Trinity’s programming, Mass settings to be performed include the world premiere of Sarah Kirkland Snider’s Mass for the Endangered and an encore performance of Paola Prestini’s Imaginary World of Wild Order: A Mass, the latter on a program with “Meditations” from Bernstein’s own theatrical contribution to the genre. World premieres of Jonathan Newman’s Mass and Wachner’s Epistle Mass will also be performed, along with the first of the project’s commissions, Daniel Felsenfeld’s Astrophysical Mass.

Leading up to the TOTAL EMBRACE concerts, St. Paul’s Chapel—which marked the 250th anniversary of its opening last season—will host a week-long festival to inaugurate its newly restored and relocated Noack three-manual pipe organ, beginning on February 19 with the annual American Guild of Organists President’s Day Conference. Performers include many of the world’s leading concert organists, most of whom have had a previous relationship with Trinity or the original version of this renovated instrument. Organists Peter Sykes, L. Frederick Jodry V, Nathan Laube, Katelyn Emerson, Paul Jacobs, Duo Majoya, and Peter Krasinski (accompanying the silent film Speedy starring Harold Lloyd) all participate in the inaugural week festivities, while “Pipes at One” performers throughout the spring include Daniel Brondel, David Hurd, Patrick Allen, Janet Yieh, Daniel Hyde, Renée Anne Louprette, James Kennerley, Donald Meineke, Kent Tritle, Michael Hey, Forrest Eimold performing with trumpeter Eric Berlin, and Trinity’s own Avi Stein, who curates the series. Trinity’s celebrated “Bach at One” series also continues throughout the spring, featuring Bach Cantatas performed by The Choir of Trinity Wall Street and Trinity Baroque Orchestra.

At the end of the season in June, Trinity returns to the Time’s Arrow Festival begun last fall, focusing on the complete works of Austrian serialist Anton Webern. In keeping with the signature juxtaposition of early and modern music which is the trademark of the series, the fall Time’s Arrow concerts presented Webern’s works along with a sampling of the early contrapuntal composers whose direct descendant he considered himself to be, while the June concerts focus on the later composers he inspired, including Ligeti, Babbitt, Lutosławski, Heinz Holliger, Christopher Rouse, and more. Works by composer Marti Epstein, whom Wachner credits with sparking his own interest in Webern, are also featured on three of the programs. As in the earlier installment of Time’s Arrow, NOVUS NY will anchor the majority of performances, joined for the finale by The Choir of Trinity Wall Street and Downtown Voices. Special guests Sandbox Percussion will perform the first concert of the series on June 18.

Rounding out Trinity’s spring schedule, in March Wachner and The Choir of Trinity Wall Street travel to Washington D.C.’s Kennedy Center to perform the multimedia D.C. premiere of American composer Julia Wolfe’s Anthracite Fields along with Bang on a Can All-Stars, reprising their Grammy-nominated account of the Pulitzer Prize–winning oratorio in which historic photomontages help recall Pennsylvania’s coal-mining past. The Los Angeles Times calls Anthracite Fields a “riveting” work “that gives powerful expression to the consequences of labor and the American labor movement.” More info is available here.

Finally, on March 4 the Trinity Youth Chorus under the direction of Melissa Attebury joins the Trinity Baroque Orchestra for a Compline Lenten Concert performance of J.S. Bach’s Tilge, Höchster, meine Sünden, and makes a special appearance at Queens College in Britten’s War Requiem on May 19. Trinity’s semi-professional adult chorus Downtown Voices under the baton of Stephen Sands performs works by Howells, Martin and Rheinberger in their spring concert on March 11. Both ensembles join The Choir of Trinity Wall Street in the finale of the TOTAL EMBRACE festival, and Downtown Voices appears in the finale of Time’s Arrow Part Two as well.

About Trinity Church Wall Street

Trinity Church Wall Street is a growing Episcopal community that seeks to serve and heal the world by building neighborhoods that live Gospel truths, generations of faithful leaders, and sustainable communities. The mission is grounded in Trinity’s core values: faith, integrity, inclusiveness, compassion, social justice, and stewardship. Trinity is located in the heart of Manhattan’s Financial District, where it has created a dynamic home for music. Serving as director of Trinity’s music program—as well as principal conductor of The Choir of Trinity Wall Street, the period-instrument Trinity Baroque Orchestra, and contemporary-music ensemble-in-residence NOVUS NY—Julian Wachner also oversees all liturgical, professional and community music programming at Trinity Church and St. Paul’s Chapel. Music at Trinity ranges from large-scale oratorios to chamber music, and from intimate a cappella singing to jazz improvisation. Many concerts at Trinity are professionally filmed and streamed live and available on-demand at www.trinitywallstreet.org/videos. Performances by The Choir of Trinity Wall Street and Trinity Baroque Orchestra under the direction of Julian Wachner can be heard each Monday at 1pm on WWFM The Classical Network, www.wwfm.org.

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Trinity Church Wall Street: Winter/Spring 2018

Performances are free unless otherwise noted

Performances are at St Paul’s Chapel unless otherwise noted

St. Paul’s Organ Inauguration February 19 – 24

Feb 19, 12pm

St. Paul’s Organ Inauguration Opening Concert/NYC AGO Presidents Day Conference

Duruflé – Messe cum Jubilo

Bach – Wir danken dir, Gott, wir danken dir, BWV 29

Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146

Trinity Baroque Orchestra and The Choir of Trinity Wall Street featuring soloists Molly Netter, Timothy Parsons, Luthien Brackett, Steven Caldicott Wilson and Jonathan Woody; Julian Wachner, conductor

Feb 19, 2:30pm

St. Paul’s Organ Inauguration

Peter Sykes organ recital

Feb 20, 1pm

St. Paul’s Organ Inauguration

  1. Frederick Jodry V organ recital

Feb 21, 1pm

St. Paul’s Organ Inauguration

Nathan Laube organ recital

Feb 21, 5pm

St. Paul’s Organ Inauguration

Katelyn Emerson organ recital

Feb 22, 1pm

St. Paul’s Organ Inauguration

Organ Concerti of Poulenc, Wachner, Rouse

NOVUS NY featuring organist Paul Jacobs; Julian Wachner, conductor

Feb 23, 1pm

St. Paul’s Organ Inauguration

Duo Majoya organ duet recital

Feb 23, 7pm

St. Paul’s Organ Inauguration

Silent movie – Harold Lloyd in Speedy with Peter Krasinski, organ

Feb 24, 1pm

St. Paul’s Organ Inauguration-Bach at One

Sei gegrüßet, Jesu gütig, BWV 768

Ein feste Burg ist unser Gott, BWV 80

Der Himmel lacht! die Erde jubilieret, BWV 31

Passacaglia in C minor, BWV 582

Trinity Baroque Orchestra and The Choir of Trinity Wall Street featuring soloists Molly Netter, Sarah Brailey, Clifton Massey, Stephen Sands, and Jonathan Woody; Julian Wachner, conductor 

Feb 26, 1pm (SPECIAL APPEARANCE at Mt. Sinai Hospital)

Bach at One

Erhöhtes Fleisch und Blut, BWV 173

Erwünschtes Freudenlicht, BWV 184

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Molly Netter, Madeline Healey, Melissa Attebury, Clifton Massey, Timothy Hodges, Brian Giebler, Paul An, Edmund Milly; Julian Wachner, conductor

March 2, 1pm

Pipes at One

Daniel Brondel 

March 4, 8pm

Chorister Compline Lenten Concert

Bach: Tilge, Höchster, meine Sünden, BWV 1083

Trinity Youth Chorus and Trinity Baroque Orchestra; Melissa Attebury, conductor

March 5, 1pm (SPECIAL APPEARANCE at St. Ignatius of Antioch Episcopal Church)

Bach at One

Aus der Tiefen rufe ich, Herr, zu dir, BWV 131

Nun komm, der Heiden Heiland, BWV 61

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Molly Netter, Megan Chartrand, Luthien Brackett, Clifton Massey, Steven Caldicott Wilson, David Vanderwal, Steven Hrycelak, Thomas McCargar, Jonathan Woody; Julian Wachner, conductor

March 9, 1pm

Pipes at One

David Hurd

March 11, 3pm (Trinity Church)

Downtown Voices: 20th Century Masterworks for Double Choir

Works by Martin, Howells, and Rheinberger

Downtown Voices; Stephen Sands, conductor

March 12, 1pm (Returns to St. Paul’s Chapel)

Bach at One

Weinen, Klagen, Sorgen, Zagen, BWV 12

Wachet! betet! betet! wachet!, BWV 70

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Elizabeth Bates, Sarah Brailey, Luthien Brackett, Timothy Parsons, Timothy Hodges, Brian Giebler, Paul An, Thomas McCargar, Jonathan Woody; Julian Wachner, conductor

March 13, 7:30pm (Kennedy Center, Washington, D.C.)

Julia Wolfe:  Anthracite Fields

The Choir of Trinity Wall Street and Bang on a Can All-Stars; Julian Wachner, conductor

Tickets here

March 16, 1pm

Pipes at One

Patrick Allen

March 19, 1pm

Bach at One

Ich hatte viel Bekümmernis, BWV 21

Der Herr denket an uns, BWV 196

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Molly Netter, Madeline Healey, Luthien Brackett, Clifton Massey, Timothy Hodges, Brian Giebler, Jesse Blumberg, Jonathan Woody, Thomas McCargar; Julian Wachner, conductor 

March 23, 1pm

Pipes at One

Janet Yieh 

March 26, 1pm

Bach at One

Ihr, die ihr euch von Christo nennet, BWV 164

Es ist dir gesagt, Mensch, was gut ist, BWV 45

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Megan Chartrand, Sarah Brailey, Melissa Attebury, Clifton Massey, David Vanderwal, Brian Giebler, Paul An, Edmund Milly, Thomas McCargar; Julian Wachner, conductor

April 6, 1pm

Pipes at One

Avi Stein

April 9, 1pm

Bach at One

Gott der Herr ist Sonn und Schild, BWV 79

Sei Lob und Ehr dem höchsten Gut, BWV 117

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Megan Chartrand, Elizabeth Bates, Luthien Brackett, Pamela Terry, Scott Mello, Timothy Hodges, Edmund Milly, Steven Hrycelak, Thomas McCargar; Eric Milnes, guest conductor

April 12, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Bernstein: Songfest

Mahler: Des Knaben Wunderhorn, arr. Klaus Simon

NOVUS NY featuring soloists from The Choir of Trinity Wall Street: Heather Buck, Melissa Attebury, Luthien Brackett, Steven Caldicott Wilson, Edmund Milly and Paul An; Daniela Candillari, guest conductor

April 13, 1pm

Pipes at One

Daniel Hyde

April 16, 1pm

Bach at One

Gottes Zeit ist die allerbeste Zeit, BWV 106

Tritt auf die Glaubensbahn, BWV 152

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Megan Chartrand, Melissa Attebury, Scott Mello & Edmund Milly

April 19, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Bernstein: La bonne cuisine & I hate music

Foss: Time Cycle and For Toru

Mahler: Lieder eines fahrenden Gesellen (arr. Schoenberg)

NOVUS NY featuring Joanna Mongiardo, soprano; Julian Wachner, conductor

April 23, 1pm

Bach at One

Du Hirte Israel, höre, BWV 104

Bleib bei uns, denn es will Abend werden, BWV 6

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Elizabeth Bates, Sarah Brailey, Melissa Attebury, Clifton Massey, Timothy Hodges, Scott Mello, Brian Giebler, Edmund Milly, Steven Hrycelak, Thomas McCargar; Julian Wachner, conductor 

April 26, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Copland (Arr. Bernstein/Wachner): El Salón Mexico

Mahler: Das Lied von der Erde

Snider: Mass for the Endangered (world premiere)

NOVUS NY and The Choir of Trinity Wall Street featuring John McVeigh, tenor and Stephen Salters, baritone; Julian Wachner, conductor

April 27, 1pm

Pipes at One

Renée Anne Louprette

April 30, 1pm

Bach at One

Liebster Gott, wenn werd ich sterben, BWV 8

Herr Jesu Christ, du höchstes Gut, BWV 113

Trinity Baroque Orchestra and soloists from The Choir of Trinity Wall Street: Madeline Healey, Molly Netter, Melissa Attebury, Clifton Massey, Timothy Hodges, Brian Giebler, Paul An, Jonathan Woody; Julian Wachner, conductor 

May 3, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Mahler: Kindertotenlieder (arr.Riehn)

Wachner: Epistle Mass (world premiere)

NOVUS NY and The Choir of Trinity Wall Street with soloist Stephen Salters, baritone; Julian Wachner, conductor

May 4, 1pm

Pipes at One

James Kennerley 

May 10, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Boulez : Le Marteau sans maître

Felsenfeld: Astrophysical Mass

NOVUS NY and The Choir of Trinity Wall Street; Sarah Brailey, soprano; Kirsten Sollek, contralto; Julian Wachner, conductor

May 11, 1pm

Pipes at One

Donald Meineke

May 17, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Bernstein: Arias and Barcarolles

Newman: Mass (world premiere)

NOVUS NY and The Choir of Trinity Wall Street with Melissa Attebury, mezzo-soprano and Christopher Herbert, baritone; Julian Wachner, conductor

May 18, 1pm

Pipes at One

Kent Tritle

May 19, 8pm (SPECIAL APPEARANCE at Queens College)
Britten’s War Requiem
Trinity Youth Chorus; Melissa Attebury, conductor

May 24, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Bernstein: Halil

Bernstein: “Meditations” from Mass

Bernstein: Serenade after Plato’s Symposium

Prestini: Imaginary World of Wild Order: A Mass

NOVUS NY and The Choir of Trinity Wall Street; Ashley Bathgate, cello; Melissa Baker, flute; Katie Hyun, violin; Julian Wachner, conductor

May 25, 1pm

Pipes at One

Michael Hey

May 31, 1pm Concert at One Finale

TOTAL EMBRACE: Leonard Bernstein at 100

Wachner: Gaudé: an LB Anniversary for Large Orchestra

Copland: Connotations

Mahler: Symphony No. 4

NOVUS NY; Jessica Muirhead, soprano; Julian Wachner, conductor

June 1, 1pm

TOTAL EMBRACE: Leonard Bernstein at 100

Bernstein: Anniversaries

Lara Downes, piano

June 2, 8pm

TOTAL EMBRACE FINALE: Leonard Bernstein at 100

Wachner: Jubilate Deo and Psalm Cycle III

Foss: Psalms

Bernstein: Chichester Psalms

The Choir of Trinity Wall Street, Downtown Voices, Trinity Youth Chorus, and NOVUS NY; Julian Wachner, conductor

June 8, 1pm

Pipes at One

Forrest Eimold with Eric Berlin, trumpet

Time’s Arrow Festival Part Two June 18– 23

June 18, 1pm

Time’s Arrow Festival Part Two

Works by Epstein, Ligeti and Cerrone

Sandbox Percussion

June 19, 1pm

Time’s Arrow Festival Part Two

Webern: 5 Sätze für Streichquartett Op.5, Bagatellen für Streichquartett Op. 9, Streichquartett Op. 28, Streichtrio Op. 20

Epstein: Hidden Flowers and Phosphene

NOVUS NY String Quartet

June 20, 1pm

Time’s Arrow Festival Part Two

Ligeti: Violin Concerto

Wachner: Lamentations

NOVUS NY; The Choir of Trinity Wall Street; Katie Hyun, violin; Julian Wachner, conductor

June 21, 1pm

Time’s Arrow Festival Part Two

Webern: 4 Stücke für Violine und Klavier Op. 7, 3 kleine Stücke für Violoncello und Klavier Op. 11, Quartet Op. 22, Variationen für Klavier Op. 27

Epstein: Oil and Sugar and Wonders of the invisible world

Holliger: Harp Sequenza

Rouse: Compline

NOVUS NY; Julian Wachner, conductor

June 22, 1pm

Time’s Arrow Festival Part Two

Babbit: Ars Combinatoria and Transfigured Notes

Yun: Cello Concerto

Lutosławski: Musique Fenebre

NOVUS NY; Julian Wachner, conductor

June 23, 1pm

Time’s Arrow Festival Part Two

Webern: Passacaglia Op. 1, Im Sommerwind, Six Pieces for Large Orchestra Op. 6, Kantate #2

Brahms: A German Requiem

NOVUS NY, The Choir of Trinity Wall Street, and Downtown Voices; Colleen Daly, soprano and Stephen Salters, baritone; Julian Wachner, conductor

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© 21C Media Group, January 2018

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